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A look at some of the events that took place as part of the 1954 Edinburgh Festival.

Four street wise philosophers tell it how it is.

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18-year-old Alice decides to drop out of school just before the final exams and go to work for her baker grandfather Louis, who never could afford to get an education yet it's something he has dreamed of.

Recorded as part of the Edinburgh Festival of Popular Music on 17th September 1976, 'Live at the Playhouse Theatre' gives fans an exhilarating view of Elton at the height of his '70s popularity, having just enjoyed his first UK #1 single with 'Don't Go Breaking My Heart.' This electrifying solo performance kicks off with Skyline Pigeon (taken from 'Empty Sky') before ending with a riotous version of 'Saturday Night's Alright (For Fighting)'. The setlist rips through classic after classic, including 'Rocket Man,' 'Daniel and 'Bennie and the Jets.' It was also the first time Elton performed 'Don't Go Breaking My Heart' solo. Climbing on his piano and stomping his way through this virtuoso performance, Elton leaves every ounce of himself on the stage, in a classic concert that was to be the last time he would perform a full show for another 7 months.

NBC tops off an evening of specials with the second annual musical-variety hour originating at historic Ford's Theater in Washington, D.C. Bob Hope is host and Raymond Burr narrator for this salute to American entertainment.

Paul McCartney live at Glastonbury Festival on the 25th of June 2022.

The Ramones at the US Festival in San Bernadino, CA on September 3rd, 1982. Also included in Ramones - It's Alive

Bregenzs Tales of Hoffmann is different from everything you saw before. The New York Times praised the thoughtfulness and creativity of Stefan Herheims new production, devised by the director as a search for ones own self in a sparkling drag show. A shining-toned (NYT) Hoffmann is embodied by tenor Daniel Johansson in the title role. He is supported by a fantastic cast: Rachel Frenkel is positively ideal as Muse and Niklausse (Kurier), Kerstin Avemo as Olympia is endowed with brilliant, cheekily extemporized coloraturas (Neue Zürcher Zeitung), Michael Volle sings the parts of Lindorf, Coppelius, Dr. Miracle and Dappertutto, the works four villains, with warmth and intensity (NYT) and Mandy Fredrich is a finelyphrased Antonia (Kurier).